Since 2012, when Disney paid $4 billion for George Lucas’ company and installed Kathy (everyone calls her Kathy) as his handpicked steward, Disney has sold billions of dollars in toys, books, games and merchandise incorporated Star Wars lands into its theme parks pioneered virtual production techniques at Industrial Light and Magic and generated a slew of TV projects, including The Mandalorian, by far the most important series to Disney+. You’ll forgive my skepticism when it comes to Kennedy’s management of the Star Wars film franchise. (Disney and personal representatives for Jenkins and Kennedy declined to comment.) Jenkins wasn’t willing to dick around, and she has other projects, notably Wonder Woman 3 at Warner Bros., where she enjoys more creative freedom. It also happened to Rian Johnson, writer and director of 2017’s The Last Jedi, whose own planned trilogy was shelved. It happened to the Game of Thrones guys, David Benioff and Dan Weiss, who were hired to create a new trilogy but bailed.
That’s not unusual, of course, but it’s a laughably recurring problem at Lucasfilm under president Kathleen Kennedy, say agents: Top filmmakers are dying to make a Star Wars movie-until they sign on and experience the micromanagement and plot-point-by-committee process. I talked to a few insiders this week that said the real culprit was the dreaded “creative differences” specifically, Jenkins couldn’t agree on the script with Lucasfilm executives, including senior V.P. Scheduling problems, prior commitments, we’ll regroup next year, yadda yadda. Well, not not happening, just delayed indefinitely, if you believe Disney.
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